Leon Schlesinger

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Lore & Background

Schlesinger's leadership was defined by a paradoxical mix of frugality and creative freedom. He operated out of a dilapidated bungalow known as 'Termite Terrace' at 1351 Van Ness Avenue, yet he allowed directors like Friz Freleng, Tex Avery, and Chuck Jones to push boundaries provided the films were successful. When Harman and Ising left in 1933 taking the rights to Bosko, Schlesinger set up his own studio at Termite Terrace, recruiting talent away from competitors. He hired composer Carl W. Stalling and voice actor Mel Blanc, who collectively created iconic characters. His business practices were hard-nosed; he briefly shut down the studio in mid-1941 over union pay demands. Despite wearing an undesirable cologne while personally delivering paychecks, he maintained a wry sense of humor comparable to his staff.

In Their Own Story

In 1932 and 1933, Schlesinger took a different path with live-action filmmaking, producing six B-movie Westerns for Warner Bros. starring John Wayne. These films—Ride Him, Cowboy, Haunted Gold, The Big Stampede, The Telegraph Trail, Somewhere in Sonora, and The Man from Monterey—were made on budgets under $30,000 each. To save money, Schlesinger reused silent action footage of cowboy star Ken Maynard and his horse Tarzan. This forced Wayne to dress like Maynard to blend into the background shots containing distant figures of the original star. Wayne later recalled with disdain that 'Those westerns I made at Warner Bros. were remakes of old Ken Maynard films' and that he 'really hated' the experience. Years later, Warners replaced these budget efforts with singing cowboy Dick Foran. Schlesinger eventually returned his focus to animation, where he appeared as himself in the 1940 short You Ought to Be in Pictures, dubbing his own voice because the studio lacked a sound camera.

Reader's Guide

Schlesinger's career began on June 9, 1909, when he married Bernice K. Schlesinger (née Leona Katz). After working as an usher and manager at the Palace Theatre in Buffalo, New York, he founded Pacific Title & Art Studio in 1919. Some historians claim he helped finance Warner Bros.' first talkie, The Jazz Singer (1927). In 1933, he took over production of Looney Tunes from Harman and Ising, establishing his own studio on the Sunset Boulevard lot. He promoted Friz Freleng to oversee production and signed Bob Clampett, Robert McKimson, Tex Avery, Chuck Jones, and Frank Tashlin. Schlesinger sold Pacific Title & Art Studio in 1935 to concentrate fully on animation. In 1944, he sold his assets to Warner Bros., with Eddie Selzer assuming his position as producer. Schlesinger continued to market the characters and headed Warners's Theater Services unit until his death from a viral infection on Christmas Day, 1949. He is interred in the Beth Olam Mausoleum inside Hollywood Forever Cemetery.

Did You Know?

• Schlesinger produced low-budget B-movie Westerns starring Ken Maynard between 1932 and 1933 that cost under $30,000 each by reusing silent footage.
• Schlesinger personally delivered paychecks to every employee while wearing a cologne with an undesirable scent.
• Mel Blanc clarified in his autobiography that Daffy Duck's lisp was not based on Schlesinger's, as an extended mandible would hinder speech.
• Schlesinger appeared as himself in the 1940 short You Ought to Be in Pictures, but his voice was performed by Mel Blanc as an impersonation—not a dubbing of a live recording, as the short was produced with sound.

Founding the Animation Empire

Leon Schlesinger was born to a Jewish family in Philadelphia, Pennsylvania, on May 20, 1884. After working in theatres as an usher, songbook agent, actor, and manager, he founded Pacific Title & Art Studio in 1919, producing title cards for silent films. As talking pictures replaced silents in 1929 and 1930, Schlesinger sought to capitalize on the new technology. He secured a contract with Warner Bros. to produce the Looney Tunes series, signing former Winkler Pictures animators Hugh Harman and Rudolf Ising to create cartoons starring Bosko. By 1933, when Harman and Ising left with rights to Bosko and Foxy, Schlesinger took direct control of production, establishing his own studio on the Warner Bros. Sunset Boulevard lot at the corner of Van Ness and Fernwood.

Unconventional Western Ventures

Between 1932 and 1933, Leon Schlesinger produced six B-movie Westerns for Warner Bros.: Ride Him, Cowboy, Haunted Gold, The Big Stampede, The Telegraph Trail, Somewhere in Sonora, and The Man from Monterey. All starred John Wayne but were made on budgets under $30,000 each because Schlesinger avoided elaborate action sequences. Instead, he reused silent footage of cowboy star Ken Maynard and his horse Tarzan. This required Wayne to dress like Maynard to match distant shots in the recycled footage. Wayne later recalled, 'I really hated that,' noting the films were essentially remakes of old Maynard movies. Warner Bros. eventually replaced these budget Westerns with singing cowboy Dick Foran productions.

Talent Acquisition and Studio Culture

Schlesinger was a shrewd businessman who wooed animators from other studios after Harman and Ising departed in 1933. He promoted Friz Freleng to oversee Looney Tunes and develop Merrie Melodies, while also hiring Bob Clampett, Robert McKimson, Tex Avery, Chuck Jones, and Frank Tashlin. Collectively with composer Carl W. Stalling and voice actor Mel Blanc, they created Porky Pig, Daffy Duck, and Bugs Bunny. Schlesinger adopted a 'hands off' approach to the animation unit, allowing directors freedom as long as films were successful. However, his business practices were hard-nosed: he operated in a dilapidated studio dubbed 'Termite Terrace,' shut down production in mid-1941 over union pay raises, and farmed some cartoons to brother-in-law Ray Katz for tax breaks. He also personally delivered paychecks while wearing an undesirable scent.

Personal Quirks and On-Screen Legacy

Schlesinger was known among animators for his lisp, leading to the belief that Mel Blanc modeled Daffy Duck's voice after him. In his autobiography, That's Not All Folks!, Blanc contradicted this, stating that an extended mandible would hinder speech on 's' sounds. Schlesinger was a fan of Porky Pig, often demanding the character's presence despite the pig being a caricature of his own stutter. He appeared as himself in You Ought to Be in Pictures (1940), dubbing his own voice due to a lack of sound cameras, and participated in Christmas gag reels in 1939 and 1940 that portrayed him as inept. Beyond animation, he was an avid racehorse fan and director of the Western Harness Racing Association. He died on December 25, 1949.